‘Far From the Trees’ Director Meritxell Colell on Turning Exile and Endangered Languages Into a ‘Body of Memory’
In “Far From the Trees,” (“Lejos de los árboles”) Meritxell Colell asks viewers to listen before they try to understand. Premiering in Locarno’s international competition, the Spain-Italy-Peru production from Allegra Films follows Adela, a 50-year-old Mexican sound artist who tra
Meritxell Colell's "Far From the Trees" is a thought-provoking film that explores the themes of exile, identity, and the power of language. By centering the story around Adela, a Mexican sound artist, Colell sheds light on the often-overlooked experiences of those who have been forced to leave their homeland. The film's use of sound as a narrative device is particularly striking, as it highlights the ways in which language can both connect and isolate us.
The film's focus on endangered languages is especially timely, given the current conversations around cultural preservation and linguistic diversity. According to UNESCO, there are over 7,000 languages spoken worldwide, but many are at risk of falling out of use and disappearing forever. By exploring the intersection of language, culture, and identity, "Far From the Trees" offers a nuanced and thought-provoking exploration of what it means to be human.
As the film industry continues to evolve and become more global, it's exciting to see films like "Far From the Trees" pushing the boundaries of storytelling and representation. For fans of Colell's work, it's worth keeping an eye on her future projects, as well as other films that explore similar themes of identity, culture, and language. Some possible touchpoints might include the works of Apichatpong Weerasethakul, who also explores the intersection of sound, memory, and identity in his films.
Originally reported by variety.com. FilmNews adds analysis for culture, style & media readers.