‘Ferine’ Review: Motherhood Begets Beastliness in Andrea Corsini’s Upscale Horror
An era of rising anxieties around pregnancy and motherhood has spurred a recent mini-explosion in horror films revolving around such topics, many decades after “Rosemary’s Baby” broke that particular ice. Andrea Corsini’s debut feature “Ferine,” which expands on his same-named 20
The horror genre has long been a reflection of societal anxieties, and the recent trend of films exploring the terrors of pregnancy and motherhood is no exception. "Ferine" is the latest addition to this canon, joining the likes of "Rosemary's Baby", "The Witch", and "Hereditary" in probing the darker aspects of maternal experience. By tapping into the primal fears surrounding childbirth and parenthood, Corsini's film offers a thought-provoking, if not always comfortable, viewing experience.
What sets "Ferine" apart from its contemporaries is its deliberate pacing and upscale aesthetic, which lends an air of sophistication to the proceedings. This is not a film that relies on cheap jump scares or gore; instead, it builds tension through atmosphere and suggestion, much like the best of Italian horror. As such, "Ferine" will likely appeal to fans of arthouse cinema and those who appreciate a more cerebral approach to horror.
As the horror genre continues to evolve, it's clear that themes of motherhood and pregnancy will remain a rich vein of inspiration for filmmakers. With "Ferine", Andrea Corsini has made a strong debut that will likely generate buzz among fans of upscale horror. Next, keep an eye on other filmmakers exploring similar themes, such as Julia Ducournau's "Raw" and Julia Loktev's forthcoming project, which promises to further probe the complexities of maternal identity and the monstrous feminine.
Originally reported by variety.com. FilmNews adds analysis for culture, style & media readers.