From ‘The Devil Wears Prada’ to ‘The Invite,’ Costume Designers Shatter the Myth Behind Dressing Contemporary Characters: ‘It’s Very Difficult’
Contrary to popular belief, contemporary design in film is not just about shopping; it involves deep storytelling and thought behind how characters are dressed. Molly Rogers, who worked on “The Devil Wears Prada” as an assistant costume designer and was the sequel’s costume desig
The article highlights the often-overlooked craft of costume design in film, particularly when it comes to dressing contemporary characters. The notion that costume designers simply shop for clothes that fit the character's style is a misconception, as it requires a deep understanding of the character's personality, backstory, and narrative arc. This is evident in the work of Molly Rogers, who assisted on "The Devil Wears Prada" and went on to design costumes for its sequel.
The film industry has long romanticized the idea of costume design, often focusing on period pieces or fantastical worlds where designers have more creative freedom. However, contemporary design is just as crucial in conveying a character's identity and contributing to the overall story. Designers like Rogers must carefully consider the time period, social context, and character development when selecting outfits, making it a challenging and nuanced process.
As the film industry continues to evolve, it's essential to recognize the importance of costume design in storytelling. For film enthusiasts, it's worth keeping an eye on upcoming projects that showcase exceptional costume design, such as period dramas or character-driven stories. The work of designers like Rogers serves as a reminder that every aspect of filmmaking, no matter how seemingly minor, contributes to the overall narrative and cinematic experience.
Originally reported by variety.com. FilmNews adds analysis for culture, style & media readers.