Ken Russell’s Controversial NC-17 Horror Film ‘The Devils’ Sets First Look at Restored Cut – Film News in Brief

FilmNews newsroom brief · 45d ago · 1 min read · via variety.com

Ken Russell’s controversial film “The Devils” will finally be seen in its original form, as seen in a new trailer for the NC-17 release. The 4K restoration references Russell’s private edit from 2004 and serves as the first release from Warner Bros. Clockwork, the studio’s new sp

Ken Russell's "The Devils" has been a topic of discussion for decades, and the release of its restored cut is a significant event in the film industry. The movie, which was initially released in 1971, was heavily censored and edited due to its graphic content, leading to a watered-down version that didn't quite meet Russell's vision. The new 4K restoration, referencing Russell's private edit from 2004, will finally bring the film to audiences in its original, uncompromised form.

The restoration of "The Devils" is a testament to the evolving attitudes towards film content and the growing recognition of the importance of preserving artistic intent. The fact that Warner Bros. Clockwork, a new division, is spearheading this release suggests that the studio is committed to bringing complex, often provocative films to the forefront. As the film industry continues to grapple with issues of censorship and creative freedom, "The Devils" serves as a landmark case study.

As the release of "The Devils" draws near, film enthusiasts and horror fans will be keeping a close eye on the critical and cultural reception of the restored cut. Will it live up to its reputation as a groundbreaking, if not notorious, horror film? To watch next: look out for the reevaluations of Russell's filmography and the impact of "The Devils" on contemporary horror cinema, as well as other restored classic horror films that may follow in its footsteps.

Originally reported by variety.com. FilmNews adds analysis for culture, style & media readers.

Originally reported by variety.com. FilmNews curates and briefs the culture, style & media stories that matter. Our editorial policy →
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