Kore-eda Hirokazu Explains Why He Never Films Children Crying – and What Ken Loach and Hou Hsiao-hsien Taught Him
Japanese auteur Kore-eda Hirokazu, whose films are known for their natural performances from child actors, said there is one thing he has decided never to put on screen: a child crying. “It’s not that I can’t, or that it’s difficult. I don’t shoot it,” the Japanese director said
Kore-eda Hirokazu's stance on not filming children crying is a fascinating insight into his approach to filmmaking, particularly when it comes to working with child actors. This decision speaks to his prioritization of the well-being and emotional safety of the young performers in his care. By choosing not to capture those intense, potentially distressing moments, Kore-eda is setting a standard for on-set ethics that is all too often overlooked in the industry.
This approach is likely influenced by his admiration for fellow filmmakers Ken Loach and Hou Hsiao-hsien, who are known for their humane and respectful treatment of actors. Kore-eda's films, such as "Shoplifters" and "Like Someone in Love," have long been praised for their naturalistic performances, which suggest a deep trust and understanding between the director and his cast. By sharing his reasoning, Kore-eda is highlighting the importance of empathy and compassion in the filmmaking process.
As the film industry continues to grapple with issues of representation, diversity, and ethics, Kore-eda's comments serve as a timely reminder of the power of thoughtful, considerate storytelling. For fans of his work, the next thing to watch is likely his upcoming film, which promises to continue his exploration of complex family dynamics and social issues. With Kore-eda's unique perspective and commitment to his craft, audiences can expect another thought-provoking, visually stunning film that challenges and rewards in equal measure.
Originally reported by variety.com. FilmNews adds analysis for culture, style & media readers.