‘The Invisible Guest’ Remake Director Danial Rifki on Suharto-Era Fear and Why His New Thriller Is About ‘How to Fight Back’

FilmNews.net brief · 2h ago · 1 min read · via variety.com

Indonesian director Danial Rifki’s remake of Spanish thriller “The Invisible Guest,” which he says was completed in 2023 before exclusivity clauses with HBO held up its release, finally reached the big screen at Jakarta World Cinema. It is one of three Rifki films at the festival

Danial Rifki's remake of "The Invisible Guest" brings a fresh perspective to the thriller genre, drawing inspiration from the Suharto era in Indonesia. By reimagining the story in the context of a country under authoritarian rule, Rifki sheds light on the pervasive fear that gripped the nation during that time. This approach not only showcases Rifki's bold vision but also underscores the significance of exploring themes that resonate with local audiences.

The fact that Rifki's film was completed in 2023 but held up due to exclusivity clauses with HBO only adds to the intrigue. The delayed release has, however, allowed the film to premiere at Jakarta World Cinema, giving it a platform to reach a wider audience. As one of three Rifki films featured at the festival, this showcase cements the director's reputation as a talented and innovative storyteller.

As the film industry continues to evolve, it's clear that remakes and reimaginings will play a significant role in shaping the cinematic landscape. With "The Invisible Guest" remake, Rifki proves that reinterpreting existing material can lead to thought-provoking and timely storytelling. For fans of Indonesian cinema and thriller enthusiasts alike, the next thing to watch is Rifki's other films at the festival, which are sure to offer more insight into his creative vision and thematic preoccupations.

Originally reported by variety.com. FilmNews adds analysis for culture, style & media readers.

Originally reported by variety.com. FilmNews.net curates and briefs the culture, style & media stories that matter. Our editorial policy →
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